Commentary: Progressive Policies are Designed for Civilizational Suicide

Biden UN

We all understand, in the timeless words of the poet Robert Burns, that the best laid plans of mice and men often go awry. Most Americans are accustomed to assessing the various failed initiatives of our country’s leaders as well-intended actions that turned out badly. The Vietnam, Afghan, and Iraq wars, the 2008 financial meltdown, and the COVID pandemic overreaction, all in hindsight, can be viewed as simply the unfolding of human stupidity in the contingency of time.

In accordance, it is understandable that many are inclined to believe that our country’s current serious problems are, once again, merely the failed result of well-intentioned policies. But what if, we ask, seemingly fumbled programs were intended to be the initial throes of civilizational suicide? What if apparent missteps were actually directed at the purposeful destruction of a prosperous, free, safe, and secure society?

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Commentary: The Loss of the Sacred in American Culture

Catholic Church

There’s a grim scene near the end of The Iliad in which the Greek hero Achilles, because of his rage and grief over the death of his comrade Patroclus at the hands of the Trojan prince Hector, slays Hector in battle and drags his corpse behind his chariot, day after day, desecrating the body in a manner unthinkable to the ancient Greeks. In fact, the affront to the dignity of this hero and prince, as well as the violation of the sacred customs of Greek society, eventually compels the gods to intervene. They tell Priam, the elderly king of Troy, to go to Achilles and plead for the body of Hector so that it may be properly honored and buried. The gods will not allow such a desecration to continue.

In these final lines of this epic poem—which, along with The Odyssey forms the bedrock of Western literature and arguably Western Civilization as a whole—Homer reaffirms a notion that all Greeks would have agreed with: There are certain lines that must not be crossed, certain sacred realities that cannot be defied, even by the semidivine hero Achilles.

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Commentary: Hollywood Is Demoralizing Americans, One Story at a Time

As a young boy, I lived for a time under the rule of a totalitarian regime when visiting my parents’ homeland of Iran during the 1980s. It was only a few years after the Iranian Revolution of 1979, and the despotic new ruler, Ruhollah Khomeini, was investing heavily in his cultural propaganda machine. The Ayatollah’s dubious aim, like any new totalitarian, was to erase the proud culture of ancient Iran and replace it with one new and ideologically approved.

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Heritage Author Asserts Goal of Leftist Lawmakers’ Demand for Ethnic Studies Curricula in Government Schools Is Erasure of American Culture

A senior fellow at the Heritage Foundation says leftist lawmakers in Democrat-led states such as Minnesota and California are feeding into a culture of victimization and identity politics with their plans for mandatory K-12 ethnic studies curricula, the goal of which, he says, is actually to erase American culture.

In an op-ed at the Washington Examiner Tuesday, Mike Gonzalez wrote that what is most disturbing about the leftist call for mandatory K-12 ethnic studies curricula in government schools is that most of the lawmakers proposing these bills are actually “not in the least bit interested” in learning about the minutiae of the hundreds of ethnic cultures represented in the United States. Rather, “they care only about American culture — or, at least, how to erase it.”

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Candace Cameron Bure: Christian Message of ‘Traditional Marriage’ at Core of Great American Family Channel

Christian actress Candace Cameron Bure says in her new top-level role at the Great American Family Channel, she will place faith and “traditional marriage” at the core of its Christmas movies.

In April, Bure became chief creative officer at Great American Family, a channel that is aiming to become the faith and freedom alternative to Hallmark, where the actress once served as the chief representative of the romantic comedy Christmas channel.

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Commentary: Westerns Are Us

In 1939, William S. Hart, a Shakespearean actor from New York who had been a key player in the making of Hollywood 20 years earlier, and for a time was considered its biggest silent star by virtue of filming “western” melodrama in a signature gritty and realistic style, re-released his 1925 silent epic “Tumbleweeds.” With it he offered a spoken introduction that was a sad farewell to both his own career and to the genre he had helped establish. This same year also saw the release of “Stagecoach,” John Ford’s benchmark. “Tumbleweeds” was a depiction of the actual opening of the Cherokee Strip in Oklahoma by the U.S. government only 50 years before and, to Hart’s mind, the end of the Western epoch. But the “western,” as we now know it, had just been re-born.

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White House Press Secretary Karine Jean-Pierre: Greater School Security Not Something Biden ‘Believes In’ Since ‘The Problem Is with Guns’

White House Press Secretary Karine Jean-Pierre said Tuesday Joe Biden has no interest in Republican proposals that focus on “hardening schools,” i.e., installing greater security and safety measures, because “the problem is with guns.”

Asked if she could elaborate on Biden’s promise to meet with members of Congress on new gun laws, Jean-Pierre said  gun violence is an “epidemic” across the country.

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Ohio Northern University Denies College Republicans’ ‘Back the Blue’ Apparel Design

The Ohio Northern University College Republicans chapter was denied approval recently for “Back the Blue” apparel by the university due to other schools having had to “retract and apologize” for similar initiatives.

ONU College Republicans designed shirts with “Back the Blue” printed on the sleeve and a Thin Blue Line flag printed on the back. The shirt design does not include ONU lettering and shows no affiliation with the university.

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Commentary: Cultural Adversity Reveals a Lot of Weird Stuff About Today’s America

  by Jeffrey A. Rendall   In watching footage from the Charlottesville riots recently I was struck by one fact in particular: there were almost as many people recording the event on their smart devices as there were Nazis and leftist thugs taking part in the melee. The scrolling pictures didn’t lie — whenever an Antifa goon would move towards a white supremacist idiot or vice-versa invariably there was a host of bystanders inching ever closer to get a good look and secure the best vantage point to electronically preserve the physical altercation. There were many times where it was difficult to distinguish the perpetrators from the amateur video documenters. What an odd world we live in where there are people who actually run towards such incidents solely to chronicle them for who knows what… fame on YouTube? A credit on the evening news, perhaps? An “I was there” post on Facebook? A personal thrill? Mental illness? It wasn’t as if there was a rare solar eclipse high overhead or a newly active volcano erupting in the distance. But maybe these curiosity-seekers thought it’s more stimulating to see miscreants beating on each other and throwing bottles filled with urine than…

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