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NEWS FROM THE STATES

Kari Lake and Mark Finchem

Kari Lake, Mark Finchem Appeal Their Case Seeking to Ban Electronic Voting Machine Tabulators to the U.S. Supreme Court, Add New Evidence Including ‘False Statements’ by Defendants

Kari Lake and Mark Finchem filed a Petition for Certiorari with the U.S. Supreme Court on Thursday, appealing the dismissal of their lawsuit against Arizona officials to stop the use of electronic voting machine tabulators. The 210-page petition added new allegations stating that the defendants lied to the court and that new evidence had surfaced exposing the vulnerabilities of the machines to bad actors. “New evidence from other litigation and public-record requests shows defendants made false statements to the district court regarding the safeguards allegedly followed to ensure the accuracy of the vote, on which the district court relied,” the petition asserted. 

COMMENTARY

American flag behind barbed wire and fence

Commentary: Crafting a New Image for Justice in America

Were I of a more entrepreneurial bent, I might go into the statuary business. I would specialize in those statues of "Justice" one sees, or used to see, decorating the façades of courthouses. The old-fashioned, now deprecated models featured a berobed and blindfolded female figure holding aloft a pair of scales. The symbology, now on its way to the graveyard of discarded ideas, was simple but noble.  Justice was blindfolded because she was no respecter of persons.  Neither rank nor party nor sex nor ethnic origin would figure into her calculation of guilt or innocence.  She held scales to emphasize her devotion to impartiality. Since those ideals have long since been superseded, my thought was to go into business producing new statues of Justice.  The figure could still be female, or at least identify as female, but it should probably be obese and sport dreadlocks. She—or "she"—should not be wearing a robe but rather a T-shirt and dungarees. Instead of a blindfold, this new figure of justice would sport a pride-flag pin and a WinBlue membership card. She would still brandish scales, but one side would be loaded down with affidavits, subpoenas, and indictments.

ENTERTAINMENT & LIFESTYLE

Movie Review: The Neon Highway

Movie Review: The Neon Highway

More than 30 years in the making, the movie The Neon Highway debuted on the silver screen this last week in Nashville. Originally written by Phillip Bellury and directed by William Wages for the likes of Johnny Cash, the deal never worked out. They say everything happens for a reason: Beau Bridges was meant to play Claude Allen, and Rob Mayes was meant to play Wayne Collins. Here is a synopsis of the plot: 20 years ago, Collins, played by Mayes, an aspiring singer/songwriter, was a heartbeat away from making it in Nashville when a car accident derailed his ambitions. Now working a 9-5 job and struggling to support his family, Collins has a fateful encounter with waning country music great Allen, played by Bridges, who reignites Allen’s musical dreams. Together, they go to Nashville with one of Collins' songs, believing they can make it big with Allen's fame and contacts. The problem is the industry has changed and no one is interested in the song – or Allen. Devastated and out of options, Collins creates a way to get the song out to the public; not for himself, but for Allen.
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