REVIEW: Eastwood’s ‘Cry Macho’ Delivers Another Classic, Bucks the ‘Hollywoke’ Trend

Only one man in Hollywoke today could make a movie as old-fashioned, straightforward, and ultimately uplifting as Cry Macho, and trigger half a dozen progressive landmines in 104 minutes. On the surface it’s the simple tale of a broken-down old Texas cowboy who goes to Mexico City to half-rescue, half-kidnap a rich rancher’s troubled son from his nefarious ex-wife. But deep down, it’s an elegiac cinematic poem about manhood old and young, womanhood, regret, loneliness, and second chances. Clint Eastwood corrals all those wild horses on both sides of the fence, as a marvelous director and an onscreen icon — sadly the last of the latter — while bucking the politically correct wallow of his Industry peers.

For Cry Macho is a western, despite the modern trappings of cars and phones. That is a forbidden genre to Hollywoke because men are men and women are women, hard as it has  tried to inject feminism into it with pathetic results (The Quick and the Dead, Bad Girls, Godless). And if there’s any genre Clint Eastwood is a master of, it’s the western. He’s been making them off and on for 65 years. Now he’s added a fine contemporary one to his legacy.

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REVIEW: ‘Riding the Dragon’ Exposes Biden Family Connections with Corrupt Chinese Communists

A damning new documentary, “Riding the Dragon: The Bidens’ Chinese Secrets,” directed by M.A. Taylor and narrated by bestselling author Peter Schweizer, is shining sunlight on the close ties between Joe Biden’s family and the Chinese elite. Peter Schweizer, head of the Florida-based Government Accountability Institute and narrator of the film said the documentary is based on corporate records, financial documents, legal briefings and court papers.

The film features investigative journalist and author Peter Schweizer and Schweizer’s revelations of Chinese influence over the Biden family found in the 2018 book “Secret Empires” and the more recent “Profiles in Corruption” (both #1 New York Times bestsellers).

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Review: ‘Richard Jewell’ Is Clint Eastwood’s Latest Portrayal of the Greatness of Ordinary Americans

Something really interesting is happening at Malpaso Productions, Clint Eastwood’s movie production company. Eastwood’s films, especially in recent years, portray the best in the American character through real stories of ordinary Americans called by events to stand up and shine. In his latest, “Richard Jewell,” Eastwood continues exploring a theme I’ve called “American Greatness in the Shadow of 9/11.” The result is a body of work that is awe-inspiring and unlike anything we have seen before in American cinema.

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REVIEW: New Book Exposes Who and How Brett Kavanaugh Was Defamed

The Left’s crusade to destroy Supreme Court Justice Brett Kavanaugh isn’t over yet. Last week, House Judiciary Committee Chairman Jerrold Nadler (D-N.Y.) sent a letter to the National Archives to demand the release of any records related to Kavanaugh’s tenure in the George W. Bush White House from 2001 to 2006.

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